Twelve canvases have been carefully chosen from the past ten years of Emin’s work to present an important reflection on her use of this media. Hung on the walls of the Jean‐ Michel Wilmotte gallery at La Coste, they literally surround the viewer, but this typically poetic title also suggests the deeply personal connection Emin has with all her work. Painting in particular has become an increasingly central and intense part of this practice. She often re-‐visits canvases over the course of months or years, creating rich layers and the mark of time and memory.
In the past Emin has noted a different sensation that she finds in painting than in other disciplines such as drawings: “When I’m drawing, I can play. I can trust things... it’s like freedom, it’s everything. Then when I’m painting, it’s like I’m scared and I don’t know what’s going to happen, as the painting takes over it becomes more exciting.”
Two monumental new bronze sculptures, the biggest the artist has ever made are also presented in this exhibition. Like many of the paintings, they evoke the female nude. However, Emin has also been inspired by the local mountain ranges, in particular Mount Saint Victoire. Their solid presence offers the gravitas of a mountain in counter-‐balance to the expressive movement and energetic moments found in Emin’s paintings The amorphous nature of these massive figures retain the marks of the artist and the moulding process, maintaining a delicate tension -‐ tender, yet robust.