Français
English
Search
THE AGENCY
WHAT'S ON
ARCHIVES
REFERENCES
CONTACT US



ARCHITECTURE
URBANISM

MODERN ART
CONTEMPORARY ART

DESIGN / FASHION
DECORATIVE ARTS

HISTORY
CIVILIZATION

GARDENS
HERITAGE
PHOTOGRAPHY
CORPORATE PATRONAGE



CONFERENCES
EXHIBITIONS
BOOKS
AWARDS
CULTURAL SEASONS FESTIVALS



28 rue de Sévigné
75004 Paris
T. +33 1 42 72 60 01
F. +33 1 42 72 50 23



22 OCTOBER - 26 OCTOBER 2014
(OFF)ICIELLE

LES DOCKS - CITE DE LA MODE ET DU DESIGN

(OFF)ICIELLE, FIAC’s official satellite fair, will be held in Paris from Wednesday, October 22nd through Sunday, October 26th , 2014 at Les Docks - Cité de la Mode et du Design. The private view will take place on October 21st.

The event will host approximately sixty French and international galleries specializing in contemporary and emerging art on a surface spanning 3 700 m2.



International Press

Victoria Cooke : victoria@claudinecolin.com
Diane Junqua : diane@claudinecolin.com

French Press

Marine Le Bris / marine@claudinecolin.com
Thomas Lozinski / thomas@claudinecolin.com

Press release
General information

LES DOCKS – CITE DE LA MODE ET DU DESIGN
34, quai d'Austerlitz
75013 Paris


TRANSPORT
Metro: Gare d’Austerlitz (5 minutes walk), Quai de la Gare (5 minutes walk), Gare de Lyon - exit Rue de Bercy (10 minutes walk).
RER: C – Gare d’Austerlitz. Bus: 24, 57, 61, 63, 89, 91.
Vélib: Station n° 13020 (15 RUE PAUL KLEE), Station n° 13151 (GARE D’AUSTERLITZ), Station n° 13019 (20 RUE FERNAND BRAUDEL), Station n° 903 (QUAI MAURIAC ANG PONT DE BERCY).


Parking and Autolib: Parking lot opposite the Docks - Cité de la Mode et du Design (29 Quai d’Austerlitz 75013 Paris).

The preview of Officielle will take place on Tuesday October 21st 2014, from 3 pm to 9 pm, by invitation only.
Officielle is open to the public from Wednesday October 22nd to Sunday October 26th, 2014 from 11 am to 7 pm.
Late-night opening: Saturday October 25th until 9 pm.

PRICES
Full price € 15
Reduced price* € 10
Under 12 years of age, free
Combined ticket FIAC + (OFF)ICIELLE: € 40
Catalogue, € 15
* (under 26)




17 OCTOBER 2014 - 11 JANUARY 2015
RUMORS OF THE METEOR

49 NORD 6 EST FRAC LORRAINE

This exhibition revisits the vague and rather Eurocentric Theory of Climates, and reveals the uncertainties of the Anthropocene Era. The featured works are, by extension, also open-ended, mobile, and plural. Reactivations, interpretations, and reinventions, these works break with the rule of unity and veracity. Let’s open our imagination to the sensation of the wind, of snow, and the aridity of the desert!



avril@claudinecolin.com

Press release
General information

ACCESS

Free admission

Tuesday to Friday: 2-7pm

& Saturday & Sunday: 11am-7pm

-

The exhibition stays open Bank Holidays




11 OCTOBER 2014 - 4 JANUARY 2015
"ART IN POP" AND "DOOM : SURFACE CONTRÔLE"

ART IN POP 

The "Belle Electrique", Grenoble's new amplified music hall, is scheduled to be inaugurated in just a few months; it is conveniently located next to the hall built by Eiffel that today houses the MAGASIN.
To coincide with this opening, the National Centre of Contemporary Art is dedicating one of its autumn 2014 exhibitions to music's relationship with the arts, a theme a
!lready touched upon in a few previous exhibitions.

In 1989, the exhibition "Broken Music" by Ursula and René Block gathered together over 800 artists and designers, while the exhibition "Replay – the punk sphere" (hosted from 4 June to 3 September 2006) presented for the very first time the collages by Linder and the painted banners of "Destroy All Monsters" by Jim Saw, Cary Loren and Mike Kelley next to "Reverse Karaoke" by Kim Gordon and Jutta Koether. The MAGASIN also presented, from 28 May to 10 September 2000, the graphic and painted oeuvre of Gary P!anter, a central figure of the Austin music and comics scene.

In the wake of these previous events, the "Art in Pop" exhibition, which opens October 10th, is born of a few simple, commonly shared observations. Indeed, while it is true that up until the 1960s numerous musicians and singers practiced art as a leisure activity, as something akin to their "secret garden of creativity", it is equally true that beginning during this same decade numerous pop musicians benefitted from art school training, this being especially the case in England. Music and the fine arts became intermingled under the combined influence of the breaking down of the borders between high and low culture and the shifting of the production, identity and style codes of the former (the "high culture" of art and the scholarly disciplines) to the second (the "low culture" of television, comics and industrial cultural production in general).

Pop music would become a two-fold scene straddling art and music in which the musician was also an artist and vice versa, and from which would notably emerge figures producing not only structures but also meanings and aesthetics. 

 

DOOM : SURFACE CONTRÔLE

The art centre’s atrium ("La Rue") will welcome a collective exhibition co-organized with Renaud Jerez, a French, Berlin-based artist belonging to the post-Internet, or post-materiality, generation of artists, which includes such now- famous figures as Ben Schumacher and Tobias Madison.
He also most certainly belongs to those influenced by the Stadelschule of Frankfurt, where the combined effects of the instruction provided by Michael Krebber and Douglas Gordon have marked a generation of emerging artists, such as the Basel-based exhibition space New Jerseyy and the publishing house Used Future Publications, also located in Basel.

The walls of this central exhibition area (totalling nearly 100 metres in length) will be divided into 6 to 8 work surfaces for wall paintings or any other form of desired expression, with each separate work surface being entrusted to an artist of this same generation for an on-site production during the month of September.

!The group exhibition will gather a selection of artists including Mathis Altmann, Aleksander Hardashnakov, Veit- Laurent Kurz, Jared Madere. 


 



Diane@claudinecolin.com

Press release
General information
MAGASIN
Centre National d’Art Contemporain
Site Bouchayer-Viallet
8 esplanade Andry-Farcy
38000 Grenoble - France 

 




10 OCTOBER 2014 - 4 JANUARY 2015
SECRET PASSIONS, PRIVATE FLEMISH COLLECTIONS

TRIPOSTAL - LILLE

At the invitation of lille3000, these collectors are loaning over 140 works for an exhibition that follows in the dynamic of invitations extended to large collections
(François Pinault Foundation, Saatchi Gallery, CNAP and Emmanuel Perrotin Gallery).



Dimitri Besse // dimitri@claudinecolin.com

Press release



18 SEPTEMBER 2014 - 18 JANUARY 2015
MONET'S IMPRESSIONISM, SUNRISE. THE BIOGRAPHY OF A PAINTING

MUSEE MARMOTTAN MONET

Impression, Sunrise, the painting that gave the name to Impressionism and the flagship of the Musée Marmottan Monet is one of the most famous paintings in the world. The enigma of the history of this work has not yet had a comprehensive study. Instead, for nearly forty years, the mystery seems to grow around the masterpiece : What does the painting truly represent? A sunrise or sunset? When was it painted? In 1872 or in 1873? What happened to the painting at the end of the first Impressionist exhibition? Why did it join in 1940, the collection of the Musée Marmottan, an institution originally dedicated to the First Empire and which was home to no Impressionist paintings? Why this date, and under what circumstances?

The Musée Marmottan Monet will answers these questions from September 18th, 2014.

The exhibition features 61 paintings and graphic works, including 26 works by Claude Monet and 45 documents mostly unpublished, from museums and private collections worldwide. It traces the journey of Impression, Sunrise and reveals a new page in history for this icon which utntil now has been entirely unknown.

Curators : Marianne Mathieu, joint director in charge of collections at Musée Marmottan Monet and Dominique Lobstein, Art Historian.



Press International : Victoria COOKE / victoria@claudinecolin.com

Press National : Christelle MAUREAU / christelle@claudinecolin.com

Press release
General information

Opening hours
Daily: 10 a.m. – 6 p.m.
Tuesdays until 9 p.m.
Closed on Mondays, January 1st, May 1st, and December 25th

Price List
Full price: 11 euros
Reduced price: 6,5 euros
On production of proof of eligibility: Under 18's, students under 25 years old, teachers, job-seekers, beneficiaries of the RSA (Active Solidarity Revenue), guides of disabled people, members of the « Amis du Louvre », members of « la Maison des Artistes », agents of the french Ministry of the Interior

Free Access
On production of proof of eligibility: Children under 7 years old, disabled people, journalists, tour guides, members of the « Institut de France », ICOM, ICOMOS

Audio-guides : 3 euros

Available languages: French / English
Contents permanent collections and/or temporary exhibition(s)
Duration: 1h30
Obtain from the cloakroom
after payment at the cashdesk

Combined-priority pass tickets
Marmottan Monet Museum, Paris & Monet Foundation, Giverny
April 1st to november 1st included

Full price: 18,50 euros
Reduced price: 9 euros, on production of proof of eligibility (Under 18's, students under 25 years old)
Disabled people : 4 euros, on production of proof of eligibility
Free access: Children under 7 years old, on production of proof of eligibility




4 SEPTEMBER - 31 JANUARY 2014
THOMAS SCHÜTTE - EXPOSITION ET LIVRE

CAHIERS D'ART 

Cahiers d'Art is pleased to present the first exhibition of Thomas Schütte in its gallery space. The exhibition follows the presentation of the book "Watercolors for Robert Walser and Donald Young" conceived by the German artist and published by Cahiers d'Art and presented for the first time on the occasion of Art Basel 2014.

Prolonged until Nov 8th



Marika Bekier / marika@claudinecolin.com

Press release



7 JULY - 21 SEPTEMBER 2014
LES RENCONTRES D'ARLES

LES RENCONTRES D’ARLES 2014 - "PARADE"
7 July – 21 September 2014
Opening week from 7 to 13 July


The 45th Rencontres d’Arles marked by friendship and loyalty

As the Rencontres are reaching a incomparable  audience (the greatest attendance was attained in 2013 with almost 100 000 visitors) and their universal fame is definitively installed, we are assisting to the end of an era with the departure of François Hébel, who, during his 12 years as president of the festival, managed rebuild the Rencontres’ from its degraded status.

François Hébel has chosen to leave his post in a theatrical manner, offering a last parade around and with his many photographer friends who have contributed to the festival’s success. Raymond Depardon, Christian Lacroix, Martin Parr, Lucien Clergue, Erik Kessels, Bill Hunt, Joan Fontcuberta, Luce Lebart will all come to Arles in 2014 with new propositions.

The second part of the programme is made of original propositions of artists and curators who have never been to the Rencontres d’Arles before. Among them : David Bailey, Vik Muniz, Patrick Swirc, Artur Walter, Daile Kaplan, the five curators and ten nominees of the Discovery price, and many others, such as the actor Vincent Perez, whose first passion was photography.

 



Marika Bekier / marika@claudinecolin.com

Press release



11 JUNE - 21 SEPTEMBER 2014
DAVID LAMELAS

FONDS REGIONAL D'ART CONTEMPORAIN DE LORRAINE

49 NORD 6 EST

FRAC Lorraine presents the first in France retrospective of David Lamelas Argentinian, born in 1946), featuring over twenty major pieces from 1960-70, including some previously never exhibited as well as some recent works.



avril@claudinecolin.com

Press release



6 JUNE - 7 SEPTEMBER 2014
«DE 199C À 199D» - LIAM GILLICK AVEC LA SESSION 23 DE L’ÉCOLE DU MAGASIN

MAGASIN - Centre National d'Art Contemporain de Grenoble presents an exhibition by artist Liam Gillick. From 199C to 199D is the second part of a collaborative process that began with the artist working alongside students of the Center for Curatorial Studies at Bard College (New York) in 2012. For Magasin a completely new exhibition has been produced that reexamines many key works by the artist from the 1990s in close collaboration with the students of the École du MAGASIN. 

 



DIane JUNQUA / Diane@claudinecolin.com

Press release
General information

MAGASIN – Centre National d’Art Contemporain
Site Bouchayer-Viallet
8 esplanade Andry Farcy

38000 Grenoble

http://magasin-cnac.org 




28 MAY - 6 OCTOBER 2014
THE DISASTERS OF WAR. 1800-2014

WHY DON’T WE LIKE THE WAR ANYMORE?

Until the nineteenth century, war was central to the values of our societies, it was one of the foundations of patriotism, one gave his life for his nation, his king, his emperor and one died a hero.
It was not until the early Napoleonic campaigns (1803 to 1815) of mass conflict to cause a break in the aesthetics of the representation of war. Since then, art has invited us to rethink the war differently and artists - writers, painters and poets – have seized the opportunity to tell its absurdity and its consequences, both on mankind and his environment. 

 



Diane Junqua / diane@claudinecolin.com

Press release
General information

Musée du Louvre-Lens

99 rue Paul Bert
62300 Lens

The museum is open
every day except Tuesday from
10 am to 6 pm (last admission 5.15 pm)
Group reception from 9 am

The museum is closed
Tuesdays and 1 May
(Labour Day)

 

Open until 10 pm
on the first Friday
of every month,
from September to June




[1]      «      2   |   3   |   4      »      [37]
Events : 365