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CAPC, musée d'art contemporain de Bordeaux
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Liste des oeuvres (liste provisoire, mise à jour fev. 2010)
“Untitled (Fetus),” 2009
Inflatable balloon
Cord length: 26‘ (8 M)
Floor to tip of fetus head: = 15’ (4.5 M)
Floor to fetus' back = 23.9 (7.3 M)
Courtesy of I.A.S., Icon Art Services, Portugal
“Banyan Tree Mural,” 2010
Acrylic on muslin
16.4’ x 48.6’ (5 x 14.8 M)
Courtesy of Galerie Praz-Delavallade, Paris / Berlin
"Mini-mall", 2008
Acrylic on muslin
9.2’ x 30.87’ (2.8 x 9.4 M)
Courtesy of Galerie Praz-Delavallade, Paris / Berlin
“Octopus Vacuum,” 2008
Acrylic on canvas
16’ x 23.5’ (4.89 x 7.2 M)
Courtesy of Galerie Praz-Delavallade, Paris / Berlin
“Ticker-tape Laocoon,” 2008
Acrylic on oil on canvas
25’ x 24.4’ (7.62 x 7.44 M)
Courtesy of Galerie Praz-Delavallade, Paris / Berlin
“Pollock & Lollypop”, 2007
Acrylic on muslin
204” x 232-1/4” / 17’ x 20’
518 x 589 cm / 5.2 x 6.1 M
Shaw studio inventory #JS07.19
Private collection, Italy
"Montezuma’s Revenge," 2007
Acrylic on muslin
20’ x 37.3’ (6.1 x 11.4 M)
Courtesy of Galerie Praz-Delavallade, Paris / Berlin
"Dr. Goldfoot & His Bikini Bombs," 2007
Acrylic on muslin & ceramic
Mural: 11.9’ x 15.8’ (3.6 x 4.8 M)
Right ceramic feet: 11.75” x 27.75” x 10.75” (29.8 x 70.5 x 27 cm)
Left ceramic feet: 13” x 27” x 10.5” (33 x 69 x 26.7 cm)
"Dream Object (‘A later room contains murals of Dan Quayle glad handling
rich white people at an art opening and now I’m Paul Drake (from ‘Perry
Mason’) and a Sandy Duncan like woman gloms on to me. You’re supposed
to put your portrait and recordings on a shelf and I try to fashion my self
portrait out of a slice of bread, when someone tells me the Dan Quayle in
the mural symbolizes me.’)"
2007
Acrylic on muslin and mixed media installation
Left mural: 13’ x 20.5’ (4 x 6.25 M)
Center mural: 13’ x 16.4’ (4 x 5 M)
Right mural: 13’ x 20.5’ (4 x 6.25 M)
Door: 30” x 1” x 80” (76.2 x 2.5 x 203.2 cm)
Shelf: 42-5/8” x 18-2/16” x 12.5” (108 x 46 x 31.8 cm)
Items for shelf: 12, Acrylic paintings on board, various dimensions, framed
"Dream Object (“Mike had maxed out his warehouse space & wanted to rent
out some of mine but needed special city council permission. There was a
gala opening but I had to crawl up this very steep bridge to get there. We
talked about having sculptures with people talking inside them that would
move around a bit with red light projected on them. The
sculpture/costumes were a mixture of elements from Eduardo Paolozzi’s
60s machine pieces, Jean Benoit’s performance costumes, and monster
costumes by Paul Blaisdell or Effects Unlimited.)"
2007
Mixed media sculptures
"The Miracle of Compound Interest", 2006
9 components:
Exterior painted canvas backdrop: 23’ x 39’ (7 x 11.8 M)
Interior painted canvas backdrop: 9’- 9” x 17’ (2.9 x 5.2 M)
Interior floor: dimensions variable: mdf particleboard & acrylic paint.
(2) Crystal sculptures: 82” x 18” x 38” each (208 x 45.7 x 96.5 cm): Plexiglas, wood &
backlight.
Kryptonite sculpture: 9” x 14” x 20” (22.8 x 35.5 x 51 cm): plastic & light.
(3) Gnome sculptures: dimensions variable: painted plastic & foam.
‘’The Woman in the Wilderness’’, 2005
Acrylic on oil cloth
945” x 180” / 78'-9" x 15'
2,400 x 457.2 cm / 24 x 4.6 Meters
MP inventory #162
Private collection, Italy
"Left Behind #3," 2005
Acrylic on backdrop
10'-49" x 23'-9" (3.2 x 7.3 M)
Private collection, France
"Dream Object (I dreamt of an image of a yellow…,)" 2004
Acrylic on muslin
22’ x 38’ (6.7 x 11.6 M)
Private collection, Italy
Sélection d’objets à références chrétiennes :
V.T. Houteff
Religious banners, 1932 - 1944
22-1/4” x 27-3/4” (56.5 x 70.5 cm)
"Religious Banner: The Question of Supremacy,”
unknown date
Linen
51-1/2” x 144” (131 x 365.7 cm)
Singed: J. Kennedy, Los Angeles
Basil Wolverton
Apocalypse: Scorching Heat, 1953-1958
Ink on paper
14-1/2” x 20-1/2” (36.8 x 52 cm)
Framed: 17-3/4” x 24-3/4” (45 x 62.8 cm)
Basil Wolverton
Apocalypse: Meteor Shower with Eclipse and Earthquake, 1953-1958
Ink on paper
14-1/2” x 20-1/2” (36.8 x 52 cm)
Framed: 17-3/4” x 24-3/4” (45 x 62.8 cm)
Basil Wolverton
Apocalypse: Plague of Darkness with Boils, 1950
Ink on paper
14-1/2” x 20-1/2” (36.8 x 52 cm)
Framed: 17-3/4” x 24-3/4” (45 x 62.8 cm)
Basil Wolverton
Apocalypse: Famine, 1953-1958
Ink on paper
14-1/2” x 20-1/2” (36.8 x 52 cm)
Framed: 17-3/4” x 24-3/4” (45 x 62.8 cm)
Published in the October, 1954 Plain Truth, and The Book of Revelation, Unveiled at
Last, 1959
Basil Wolverton
Apocalypse: Volcano and Waterspouts, 1953-1958
Ink on paper
14-1/2” x 20-1/2” (36.8 x 52 cm)
Framed: 17-3/4” x 24-3/4” (45 x 62.8 cm)
Basil Wolverton
Apocalypse: Mass Grave with Bulldozer, 1953-1958
Ink on paper
14-1/2” x 20-1/2” (36.8 x 52 cm)
Framed: 17-3/4” x 24-3/4” (45 x 62.8 cm)
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Jim Shaw :
Né à Midland, Michigan en 1952
Vit et rravaille à Los Angeles, Californie
CAPC musée d’art contemporain de Bordeaux
Entrepôt Lainé 7, rue Ferrère
F-33000 Bordeaux
Tél. : 33 (0)5 56 00 81 50
Fax : 33 (0)5 56 44 12 07
capc@mairie-bordeaux.fr
Horaires d'ouverture
Tous les jours de 11h00 à 18h00 sauf le lundi
Le mercredi jusqu'à 20h00
Fermetures annuelles : tous les jours fériés
Tarifs
Collections permanentes et expositions temporaires
5€ et 2,50€ réduit
Retrouvez la programmation culturelle de la Ville de Bordeaux sur www.bordeaux.fr
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Commissaire : Charlotte Laubard
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Contact presse nationale et internationale
Sandrine Mahaut
sandrine@claudinecolin.com
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CAPC musée d’art contemporain de Bordeaux
Entrepôt Lainé 7, rue Ferrère Horaires d'ouverture Tarifs Retrouvez la programmation culturelle de la Ville de Bordeaux sur www.bordeaux.fr | |