26 Oct 2016
23 Jan 2017

CAFÉ IN

MUCEM - MUSEE DES CIVILISATIONS DE L'EUROPE ET DE LA MEDITERRANEE (MARSEILLE)

The contemporary image of coffee is entirely rooted in and organised around human wellbeing, both individual and collective. The virtues of this drink, at first medicinal, then degustative, and finally convivial, have finally taken over the entire process. In just a few centuries, coffee became an enormous economy, but above all it has become an anthropological ritual in the most etymological sense of the term.

 

It is this phenomenon, little known in the countries of consumers or even producers, which constitutes the theme of the exhibition and beyond, the multimedia supports of the project. From the bean to the cup, it is the history, geography, economy, environment, consummation, publicity and aesthetic of coffee, which is blended and mixed in a vast and same world. Designed with a scientific and playful itinerary, the exhibition should in its progression, as in its wanderings, transmit knowledge, but above all, intrigue, excite curiosity, provoke astonishment. Ultimately it is the transformation of the visitor/coffee consumer into an informed spectator of a story that they didn’t (really) know, but which they come to recognise as familiar. 

Coffee mill, 2007 © Vacheron / Andia
Arman (dit), Fernandez Armand, As in the sink (Comme dans l'évier), 1991, porcelaine, 22 x 55 x 41cm. Musée Adrien Dubouché, Limoges  © RMN-Grand Palais (Limoges, Cité de la céramique) / Jean-Gilles Berizzi © ADAGP, Paris, 2016
Izzet Keribar, Joueurs de dominos dans un café de Sanliurfa, 1996, photographie, 28,8 x 39,9 cm. Mucem, Marseille © Izzet Keribar
Albert André, Les dames du café Wepler, 1926, huile sur toile, 63 x 60 cm. Musée d'Orsay / En dépôt au Musée d'art et d'histoire de St-Denis  © RMN-Grand Palais (musée d'Orsay) / Hervé Lewandowski  © ADAGP, Paris, 2016
Affiche publicitaire
Charles Jencks, Collection Tea and Coffee Piazza, 1983, argent massif, hauteur 22 cm.  Dépôt du Centre national des arts plastiques  au Musée Mandet, Riom. © Charles Jencks/Cnap/photo : Alessi (Crusinallo, Italie)
Plaque cartonnée
Torréfacteur à air, vers 1920, fer et tôle,  135 x 140 x 50 cm. Mucem, Marseille © Mucem
Erick Bonnier, Tri du café sur des tables de la société Bagersh, 2007, Addis Abeba, Ethiopie, photographie, 33 x 50 cm. Fondation Malongo  © Erick Bonnier / Fondation Malongo
Reza, Inde, Coorg District, Village de Poli betta,  9 janvier 2013, photographie © Reza / Webistan
Peter Schlumbohm, Patent poster Filter pot, 1951, affiche de brevet d'invention, 61 x 45 cm.  Chemex Coffee Maker © CHEMEX® Corporation. Massachusetts, USA
Fernand Detaille, Café Riche, Marseille, à l'angle de la Canebière et du Cours Saint-Louis, photographie de 1906  © Fonds Gérard Detaille
Gaston Bouzanquet, Café en Egypte, 1925, Photographie, 40 x 40 cm. Musée de la Camargue © photographie de Gaston Bouzanquet, coll. Musée de la Camargue, PNR de Camargue. Num. David Huguenin
Vendeur de café par les rues, 1746, gravure, 49,2 x 32,5 cm. Fondation Malongo © François Fernandez
William Kentridge, Universal Archive (Twelve Coffee Pots), 2011, Linogravure imprimée sur pages d’encyclopédie trouvée, contrecollées sur papier Arches, 105 x 103.5 cm. Galerie Marian Goodman.  Courtesy de l’artiste et Marian Goodman Gallery  © William Ke
Plaque de voyante
Rameau florifère et fructifère  du Caféier du Libéria, photographie.  Muséum national d'Histoire naturelle  © Muséum national d'Histoire naturelle, Dist. RMN Grand Palais / image du MNHN, bibliothèque centrale
Manufacture du duc d'Angoulême, Nécessaire de voyage en porcelaine avec son coffret, XVIIIe siècle. Fondation Malongo© François Fernandez
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DOCUMENTATIONS
General information
DIRECTION

Jean-Michel Djian

CONTACT

Lola Véniel : lola@claudinecolin.com
Christelle Maureau: christelle@claudineocolin.com