10 Jun 2020
03 Jan 2021




On 17 April 2020, Culturespaces will open the largest digital art centre in the world: the Bassins de Lumières.
France’s leading private operator in the management and promotion of monuments, museums, and art centres, Culturespaces is pursuing the creation of digital art centres and immersive exhibitions.

Located in Bordeaux’s former submarine base, the BASSINS DE LUMIERES will present monumental immersive digital exhibitions devoted to the major artists in the history of art and contemporary art. The submarine base’s surface area is three times the size of that of the Carrières de Lumières in Les Baux-de-Provence and five times that of the Atelier des Lumières in Paris.

The digital exhibitions will be perfectly adapted to the monumental architecture of the submarine base and will be reflected in the water of the four enormous basins, thereby adding a new dimension to the immersive experience. Visits will be conducted on gangways above the water and along the quays of the enormous basins. 


‘Gustav Klimt: gold and colour’ – long programme

To mark its opening, the Bassins de Lumières will focus on a century of Viennese painting and take an original look at Gustav Klimt and his successors through a presentation of portraits, landscapes, nudes, colours, and gilding. Klimt led the Vienna Secession, a movement that sought to break away from academic art: he paved the way to modern painting. The gold and decorative motifs are a symbol of this artistic revolution. Visitors will discover large-format masterpieces, such as the famous work The Kiss, and will be immersed in Imperial Vienna at the end of the nineteenth century.

Created by Gianfranco Iannuzzi, Renato Gatto, and Massimiliano Siccardi, with the musical collaboration of Luca Longobardi. 


‘Paul Klee: painting music’ – short programme

This immersive exhibition will be devoted to the colourful abstract works by the German artist Paul Klee. A painter and also a musician and professor, the immersive exhibition will pay tribute to Klee’s pictorial world. It will take visitors from an opera overture in an imaginary city to an underwater concerto amidst gold and multicoloured  fish, and the rhythm of its geometric structures. Lastly, tens of corresponding portraits and puppets accompanied by Papageno’s song will conclude an enchanting interlude that combines painting and music.

Created by the video content creation studio Cutback.




Ocean Data

In Le Cube, a special exhibition space, visitors will be able to discover a new work by the digital creation studio Ouchhh, which specialises in graphic design, motion design, and digital projections. Ouchhh uses Artificial Intelligence to create images and questions the act of artistic creation. Ocean Data is composed of millions of data captured in the sea in order to create a unique digital work in which forms, light, and movement are generated through an algorithm. Visitors will be taken into the heart of the ocean and embark on a journey through different materials, colours, and reliefs. The work combines art, science, and technology to create a contemplative experience.

By the Turkish collective OUCHHH, a digital creation studio based in Istanbul, Los Angeles, and London.
Le Cube will also present works by young contemporary digital art studios based in Bordeaux. 


Simulation : Gustav Klimt : Jardin paysan avec fleurs de tournesol  (détail), vers 1907, huile sur toile, 110 x 110 cm, Vienne, Österreichische Galerie Belvedere ; Le Baiser (détail), 1908, huile, or et argent sur toile, 180 x 180 cm, Vienne, Österreichis
Simulation : Gustav Klimt : Portrait d'Adele Bloch-Bauer I (détail), 1907, huile, or et argent sur toile, 140 x 140 cm, New York, Neue Galerie ; Œuvre préparatoire à la fresque d'Adolphe Stoclet, L'Arbre de Vie  (détail), 1905-1906, technique mixte sur pa
Simulation : Gustav Klimt : Le Baiser (détail), 1908, huile, or et argent sur toile, 180 x 180 cm, Vienne, Österreichische Galerie Belvedere ; Mort et vie (détail), 1911-1915, huile sur toile, 178 x 198 cm, Vienne, Leopold Museum ; Portrait de Mäda Primav
Simulation : Gustav Klimt : Œuvre préparatoire à la fresque d'Adolphe Stoclet, L'Arbre de Vie  (détail), 1905-1906, technique mixte sur papier, 197,7 x 104,4 cm, Vienne, Österreichisches Museum für angewandte Kunst ; Portrait d'Adele Bloch-Bauer I (détail
General information

Bassins de Lumières
Base sous-marine de Bordeaux
Impasse Brown de Colstoun
33300 Bordeaux


Christelle MAureau / christelle@claudinecolin.com


3 rue de Turbigo 75001 Paris
T. +33 1 42 72 60 01