21 Oct 2020
03 Jan 2021

WU TSANG

LAFAYETTE ANTICIPATIONS - PARIS

Wu Tsang’s award-winning films combine documentary and narrative techniques with fantastical detours and explore hidden histories, marginalized narratives, and the act of performing itself. Her works often evoke theatrical settings in specific locations, such as historic queer nightclubs, time-traveling ships in the South China sea, and mythical journeys through of the Greek island of Lesbos. Tsang re-imagines racialized and gendered representations to encompass the multiple and shifting perspectives through which we experience the social realm. 

 

For her first exhibition in France, Wu Tsang has transformed Lafayette Anticipations into a hybrid space that summons the worlds of the night and the sacred. Through this metamorphosis, the visitor is immersed in a mysterious atmosphere where recent and earlier works by the American artist are brought together. Like so many reflections on the values carried by our culture, Wu Tsang takes up the themes of perspectives and points of view, of power relationships and solidarity, to revitalise the way we look at individuals and the way society works. For her exhibition, the artist has created an experience which draws on music, dance, architecture, theatre, and performance to celebrate the metamorphosis and fluidity of being.

 

The project is built around the monumental and original video installation The Show is Over (2020), a form of multi-layered opera in which a community of dancers perform to the rhythm of the text ‘Come on, get it!’ by the African American poet and academic Fred Moten. The film deals with the liberation and alienation of beings, embodied in a choreography and music that guide the trajectories of the performers and invoke the historical legacies related to blackness — struggle, oppression, power relations — put into perspective with the potential liberation of the being through a renewed relationship with the world and new connections with the elements. 
The film’s setting, a floating place, transforms and makes the famous Penrose stairs appear. An ‘impossible’ object, this trompe l’oeil staircase varies according to the viewer’s perspective and can simulate an infinite staircase, a metaphor for the multiplicity of possible points of view and the myriad realities that result from them. The Show is Over is a story of separation and fluidity, of the encounter and permeability of materials, states, and bodies.

DOCUMENTATIONS
General information
LAFAYETTE ANTICIPATIONS

9 rue du Plâtre - 75004 Paris
Tél. : 01 57 40 64 17
www.lafayetteanticipations.com

CONTACT

Justine Marsot
justine@claudinecolin.com
06 98 32 08 78


CLAUDINE COLIN COMMUNICATION
3 rue de Turbigo 75001 Paris
T. +33 1 42 72 60 01