A self-taught artist and jack-of-all-trades, Jean Sabrier (1951-2020) has developed over four decades a polymorphous work at the crossroads of several questions that cross the history of art. His subtle and poetic work mixes rigor and humor, offering the viewer a perceptive experience that is both enjoyable and destabilizing. 

Surrounded by his tutelary figures with whom he maintains a constant dialogue - be it the great masters of Renaissance perspective, Piero Della Francesca or Paolo Uccello, the unclassifiable Marcel Duchamp and his British alter ego Richard Hamilton - he experiments with the limits of our field of vision, in a constant detour of our gaze.